Exhibitions and Events

Emma Ressel
May
14
to May 24

Emma Ressel

Glass Eyes Stare Back
Emma Ressel
May 14 - May 24, 2024
Reception: May 17, 5-7pm

Strata Gallery presents its first solo exhibition by New Mexico-based artist Emma Ressel. Ressel lives and works in Albuquerque, and she is a 2023-2024 Emerging Artist Member at Strata Gallery. The exhibition, titled Glass Eyes Stare Back, will open Tuesday, May 14th, with a special reception on Friday, May 17, 5-7pm.

Glass Eyes Stare Back is the first exhibition of Ressel’s work exploring natural history collections, animal preservation, and environmental catastrophe. The show is primarily comprised of still life images she makes with a large format view camera, constructing tableaus with animals, objects, and printed backdrops to assemble fictional scenes of animals in nature. In this work, Ressel is interested in how natural history collections speak to the human desire to draw animals closer and form experiences with the species we are destroying. Her works convey not only her fears about the future of biodiversity, but also a sense of sublime awe about the mystery of what’s to come of our ecosystems.

“I am thrilled to have the opportunity to exhibit this work at Strata Gallery,” says Ressel. “Developing this work over the last several years has helped me learn so much about the ecosystems and biodiversity both where I grew up in Maine and where I now live in central New Mexico. Showing this work in Santa Fe, not far from where many of these animals live, feels particularly resonant for the project.”

Emma Ressel received her BA in Photography from Bard College and is currently an MFA candidate at the University of New Mexico. Her work has been exhibited across the Northeast and is held in the collection of the Philadelphia Museum of Art. Her first photobook, Olives in the street, was published in Italy in 2017. She was the 2022 recipient of the Film Photo Student Project Award and is currently a 2023-2024 fellow at the Center for Regional Studies at UNM. She lives in Albuquerque, where in addition to working toward her MFA, she teaches photography at UNM. This is her first solo show in New Mexico.

Strata Gallery is open from 11am - 5pm, Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery websiteInstagram, or Facebook.

 
hand reaching out to a lizard and bird on a rock

Emma Ressel, Approximate Encounters, 30 x 24 inches, Archival pigment print, 2021

 
 
two taxidermy birds on branches with one's head fallen off

Emma Ressel, Second Death is Softer, 30 x 24 inches, Archival pigment print, 2021

 
 
pink mushroom with a praying mantis on it

Emma Ressel, Surrender the Decomposers, 13.75 x 11 inches, archival pigment print, 2022

 

Emerging Artist Program: This project is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts.

 
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Lin Medlin
May
28
to Jun 14

Lin Medlin

Luminous Instants
Lin Medlin
May 28 - June 14, 2024
Reception: May 31, 5-7pm

Texas painter Lin Medlin’s new landscape show, Lin Medlin: Luminous Instants, opens at Strata Gallery on May 28th and closes on June 14th. The reception for the artist will be held Friday, May 31st from 5:00 pm to 7:00 pm. This is Medlin’s second show at Strata Gallery, the first having been in October 2021.

The exhibition of 15 works consists of views from Texas, New Mexico and Colorado, and two coastal scenes, one from Ireland and one from Maine. Notable qualities of the work are vibrant, saturated colors and lyrical color harmonies. There is also a sense of stillness to the paintings as if they are frozen moments in time. Yet paradoxically, the landscapes communicate the flow of natural processes such as the movement of clouds and wind over water, and in place of humans, spirits of bright color haunt these vistas, giving them motion.

Medlin’s ties to the Southwest include study in Taos, and living in Moenave, Arizona, with its natural springs in a desert setting.

Medlin began painting landscapes when he was 15 years old. He earned a BFA with highest honors in painting and art history at Southern Methodist University and worked as a Kress Foundation Fellow in art history at Oberlin College. He also earned a JD at Yale Law School. He lives in Dallas, Texas with his wife and their cat and dog.

Strata Gallery is open from 11am - 5pm, Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery websiteInstagram, or Facebook.

 

Lin Medlin, Red Dragon Mountains, 2022, Oil on Linen, 30”x48”

 
 

Lin Medlin, Skies Over Taos, 2024, Oil on Linen 36”x24”

 
 

Lin Medlin, Fall Day at Sunset Bay, 2024, Oil on Canvas, 30”x40”

 
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Inner Sanctuaries: Juried Exhibition
Apr
23
to May 10

Inner Sanctuaries: Juried Exhibition

 

Inner Sanctuaries: Exploring Domestic Spaces
Juried Exhibition
April 23 - May 10, 2024
Reception: April 26, 5-7pm

Strata Gallery presents the Juried Exhibition “Inner Sanctuaries: Exploring Domestic Spaces,” juried by Stephanie J. Woods. “Inner Sanctuaries” will be on view from April 23rd through May 10th, with a reception on April 26th from 5 to 7 p.m.

"Inner Sanctuaries: Exploring Domestic Space" invites contemplation on themes of grief, joy, sacredness, gender constructs, femininity, loneliness, memory, animal kinship, and the delicate interplay of existence. Through a diverse array of disciplines, including paintings, sculpture, photography, textiles, collages, drawings, and works on paper, this exhibition unfolds as a gentle ode to the sanctuaries we call home.

Selected with care, each artist offers a unique perspective, urging viewers to ponder the complexities of domesticity with both tenderness and introspection. Joni P. Gordon's poignant photography piece, Untitled (Beyond Expectation II Series), captures the experiences of a Jamaican immigrant navigating the realm of domestic service, prompting reflection on assumed roles and untold narratives. In moments of quiet reflection, Justin Carney's photography series, With Family Photos and Our Shadow, guide us through the labyrinth of loss juxtaposed against the joys of being alive. Meanwhile, Hugo Ximello-Salido's visionary work, The Radiance of Gender Fluidity, invites contemplation on the fluidity of time and our perception of gender.

These 32 featured artworks serve as whispers of cultural memory, prompting us to question the boundaries between the private and the public, the seen and the unseen. From the use of breast milk as a material language to the intimate embrace of self-swaddling and the use of everyday objects, this exhibition becomes an invitation to explore the essence of home and the sanctity of the human experience.

Strata Gallery is open from 11am - 5pm, Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery websiteInstagram, or Facebook.

Prize Winners:
Best in Show: $200
Justin Carney, With Family Photos or Our Shadow
Honorable Mention: $100 Hugo Ximello-Salido, The Radiance of Gender Fluidity
Honorable Mention: $100 Ali Hval, Mirror, Mirror

Exhibiting Artists:
Aileen Bahmanipour, Ali Hval, Briena Harmening, Caitlin Carcerano, Carolyn Berry, Charis Fleshner, Delaney McRitchie, Elaine Hullihen, Eleanor Oakes, Elisabeth Williams, Ellan Luna, Emily Grace McCoy, Hannah Altman, Heather Merckle, Hedda Neelsen, Hugo Ximello-Salido, Jeanette Hammerstein, Joni P. Gordon, Justin Carney, Karly Jean Kainz, Katria Foster, Lauren Allen, Mariah Cameron Scee, Rebecca Cohen, Robert King, Roxanne Darling, Ruiqi Xu, Sam Bennett, Stacy Isenbarger, Veronica Ceci, William Lukas

Selected Images:

Woman in blue shirt and black overalls and gloves stands behind a table with colorful artwork in front and behind her

About the Juror:
Stephanie J. Woods is a multimedia artist based in Albuquerque, New Mexico, where she is an Assistant Professor of Interdisciplinary Art at the University of New Mexico. Working primarily in the fields of photography, fiber, video, and sculpture. She creates mixed-media works, handcrafting the props featured in her photographs. Raised in Charlotte, North Carolina, she cultivates an artistic practice concerned with exploring Black American culture, identity, and the impact of involuntary cultural assimilation.

In 2021 Woods was selected to attend the artist residency Black Rock Senegal, located in Dakar Senegal, and in 2021 Woods was also awarded the 1858 Prize for contemporary southern art awarded by the Gibbes Museum of Art in Charleston, South Carolina. Woods is also the recipient of several other awards, residencies, and fellowships, including the 2022 Harpo Prize, the Fine Arts Work Center fellowship, ACRE Residency, the McColl Center for Art + Innovation, Ox-Bow School of Art and Artists Residency, and Penland School of Craft. Her work is featured in permanent collections at the Virginia Museum of Fine Art, and the Gibbes Museum of Art, among others . Additionally she has been featured in BOMB Magazine, Art Papers, Lenscratch, Burnaway, and the Boston Art Review.

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Artist Talk: Carla Caletti
Apr
6

Artist Talk: Carla Caletti

Blue banner with white text that reads Carla Caletti.

Photo Credit: Elizabeth Bevins

Artist Talk
Carla Caletti
April 6, 2024, 3-4pm

Artist Carla Caletti will be giving a talk in conjunction with her solo show entitled, "Gathering Between” at Strata Gallery on Saturday, April 6th from 3 to 4pm. She will explore her art making process of both her paintings and sculptures as well as the intentions and meanings embedded in her work.

Strata Gallery is open from 11am - 5pm, Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery websiteInstagram, or Facebook

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Carla Caletti
Apr
2
to Apr 19

Carla Caletti

Gathering Between
Carla Caletti
April 2 - April 19, 2024
Reception: April 5, 5-7pm

Strata Gallery presents a solo exhibition, "Gathering Between" featuring abstract figurative paintings and sculpture by New Mexico-based artist, Carla Caletti. The exhibition opens April 2nd with a reception for the artist on April 5th from 5:00 to 7:00pm. An artist talk will follow on April 6th from 3:00-4:00pm.

Working from an inner landscape and worlds real and imagined, Caletti's abstracted figures are conceived as a cross between superheroes and totemic beings that bridge between the seen and unseen. They surface as a ballast for the chaotic and destructive aspects in the world and offer an infusion and protection, care, and hope. She is drawn to practices of mending and repair, gathering disparate parts and fragments into a new whole. The use of wax and paper with acrylic paint adds layers and depth to her surfaces. The process of adding and removing materials creates a sense of time and speaks to the impermanence of the physical realm and the richness of liminal space. 

Fellow Santa Fe Artist Trent Gerard Edwards comments, "An ancient warmth resonates from these paintings; a thoughtful pulse from the heart. The simple yet adorned figures occupying Carla's work are the vowels of her artistic language and a beautiful art form providing space for our contemplation."

As a self-taught artist working since her first painting 23 years ago when pregnant with her daughter, Caletti has forged her own path in how she makes her work and what materials are involved. She has shown in galleries and art fairs including SomARTS Gallery in San Francisco and Van Der Plas Gallery and Art Expo both in New York City, created pop-ups, street art and curated group shows. Born and raised in the Bay Area, Caletti is now based in Northern New Mexico. She is an Established Artist Member of Strata Gallery.

Strata Gallery is open from 11am - 5pm, Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery websiteInstagram, or Facebook

 
abstract painting with orange background and a figurative being in the foreground wearing a blue shawl and red scarf

Carla Caletti, Nomad in the Desert, Acrylic, Wax and Paper on Canvas, 48in x 72in, 2024

Abstract painting with light pink background and three figures grouped on the right

Carla Caletti, Red Crossing, Acrylic, Wax, and Paper on Wood Panel, 18in x 18in, 2024

abstract painting with a figure in a yellow hat on the right and a figure on the left

Carla CalettiDreamers in Water, Acrylic, Wax, and Paper on Wood Panel, 16in x 20in, 2022

 
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Keanu Jones
Mar
19
to Mar 29

Keanu Jones

Intersecting Lifetimes
Keanu Jones
March 19 - March 29, 2024
Reception: Friday, March 22, 5-7pm

Strata Gallery presents "Intersecting Lifetimes" by Albuquerque-based Emerging Artist Member Keanu Jones (Diné). This exhibition is on view March 19 through March 29, with a special reception on March 22nd from 5:00 - 7:00pm.

Emerging Artist Keanu Jones examines the intersectionalities of lifetimes through his exploration of photographs, textures, and time in his digital collages. Through his artwork, Jones aims to display the collisions from past moments to the present. Jones' art practice is a form of healing, expressing pain, beauty and the complexities of life. 

Keanu Jones stated, "I'm honored to have my first solo show as an Emerging Artist Member. My work explores the intersections of lifetimes through all forms of media. Through my diverse body of work, I aim to provide an experience that allows viewers to have a new understanding of contemporary identity."

Keanu Jones (Diné/Navajo) is Mexican People Clan born for Big Water Clan and is originally from Grand Falls, Arizona. He graduated from Navajo Technical University with a BFA in Creative Writing and New Media. He is currently based in Albuquerque, New Mexico. This is his first solo show in New Mexico.

Strata Gallery is open from 11am - 5pm, Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery websiteInstagram, or Facebook

 

Keanu Jones, Cosmic Gem, 18in x 24in, Digital Collage, 2022

Keanu Jones, HOME, 24in x 36in, Digital Collage, 2022

Keanu Jones, is this death?, 24in x 36in, Digital Collage, 2022

 
Black, white, red, and blue logo with the text "National Endowment for the Arts. Arts.gov. and another Blue and Black Logo with the text "NMA New Mexico Arts public support for the arts.

Emerging Artist Program:
This project is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts.

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Millian Giang Pham
Feb
27
to Mar 15

Millian Giang Pham

People Like You
Millian Giang Pham
February 27 - March 15, 2024
Reception: March 1, 5-7pm

Strata Gallery presents People Like You, a solo exhibition by Alabama-based artist and educator Millian Giang Pham. The exhibition opens February 27th, with a special reception on Friday, March 1st from 5-7pm.

Millian Pham’s art practice focuses on structures and barriers that oppress the body through visual abstraction and textual obfuscation. She uses visual art strategies to flip this on the viewer by creating visual puzzles through small embroideries and needlework. Since the answer to each composition is provided in the title of each work, Pham’s works exist as a demonstration of perspectival shift rather than a challenge to solve; however, the opportunity to solve each puzzle is still available by not looking up the answer.

Millian Pham stated, “This will be a wonderful return to Santa Fe. It’s been three great years with Strata Gallery, during which I had many wonderful mentorship meetings with emerging artists and saw a myriad of different works by established artists. I’m so happy to be back with a collection of new works to share with the Santa Fe community.”

Millian Giang Pham received her BFA in Painting and Printmaking from the University of Tulsa in Oklahoma and her MFA in Sculpture from the University of Florida in Gainesville, Florida. She is currently an Assistant Professor of Studio Art – Foundations at Auburn University in Auburn, Alabama. Her works have been exhibited throughout the United States and in Canada, Korea, and Pakistan.

 
Black fabric with dark checkered print and gold and white raspberries on a vine painted over it. The word HOARDING is placed vertically on the right side of the textile artwork.
Black fabric with dark checkered print and black and white kumquats on a vine painted over it. The words Punch Down Fall UP are placed on the top of the textile artwork.
Black fabric with dark checkered print and black and white papaya hanging from a tree painted over it. The words Wear Down Water Sprout are placed at the bottom of the textile artwork.
 
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Jandey Shackelford
Feb
13
to Feb 23

Jandey Shackelford

Imprint
Jandey Shackelford
February 13 - February 23, 2024
Reception: February 16, 5-7pm

Strata Gallery presents an Emerging Member solo exhibition, Imprint by Arizona-based artist Jandey Shackelford. Imprint is on view February 13 through February 23, with a special reception on Friday, February 16th from 5-7pm. 

Jandey Shackelford’s interdisciplinary art practice is centered on the persistent stereotypes, gender roles, and forms of oppression that persist in today’s society, specifically in a home or house setting. Shackelford uses footprints from herself and others to serve as tangible evidence, presence, and memory of the impact that this space can have on those who occupy it. Visitors will experience an immersive experience at Strata Gallery during Shackelford’s exhibition.

Jandey Shackelford stated, “As an emerging member of Strata Gallery, it’s been exciting to plan for a solo exhibition on the heels of graduating with my MFA. I am very excited to exhibit in Santa Fe because of the supportive community surrounding the gallery. My work employs bodies, space, interaction and physical manipulation of materials. The act of creating these drawings represents an effort to transcend the space of sadness from which they were born.”

Jandey Shackelford received her MFA from the University of Arizona in May of 2023. Her work has been exhibited both in the United States and internationally. This is her first solo exhibition in New Mexico.

Strata Gallery is open from 11am to 5pm Tuesday – Saturday. For more information about Strata Gallery, the current exhibit, and the future schedule of events, please visit us our website, Instagram, and Facebook.

 
Hanging artwork made of Asphalt-saturated paper, footprints, with pink hand sewn fibers

Jandey Shackelford, Imprint 7, 79” x 24”, Asphalt-saturated paper, footprints, hand sewn fibers, 2022-23

 
Detail of banner artwork made of Asphalt-saturated paper, footprints, and pink hand-sewn fibers

Jandey Shackelford, Imprint 2 (detail), 74.5” x 50.75”, Asphalt-saturated paper, footprints, hand sewn-fibers, 2022-23

 

Jandey Shackelford, Imprint 2, 74.5” x 50.75”, Asphalt-saturated paper, footprints, hand-sewn fibers, 2022-23

 
Black on white and green background that reads NATIONAL ENDOWMENT FOR THE ARTS ARTS.GOV and NMA NEW MEXICO ARTS PUBLIC SUPPORT FOR THE ARTS

Emerging Artist Program: This project is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts.

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Rebecca Padilla-Pipkin
Jan
23
to Feb 2

Rebecca Padilla-Pipkin

Dwelling With
Rebecca Padilla Pipkin
January 23 - February 2, 2024
Reception: January 26, 5-7pm

Strata Gallery is pleased to present Dwelling With, a solo exhibition by Arizona based artist Rebecca Padilla-Pipkin. The exhibition opens January 23rd, with a special reception on January 26th from 5-7pm.

Rebecca Padilla-Pipkin is an interdisciplinary visual artist and educator living and working in Phoenix, Arizona. Her work explores ecologies of place through a wide variety of site-specific materials and processes that index moments of interaction between the human and more-than-human. Ultimately, she strives to make work that deepens the care and attention we give to the places in which we dwell.

Rebecca Padilla-Pipkin stated, “Being a part of Strata Gallery has been an incredible experience. The connections I have made with other artists through Strata have been so generative for my practice. In my work, I consider and expand on practices of attunement within the landscapes that hold us, particularly the desert. I am honored to be expanding the reach of my work throughout the Southwest and with the Santa Fe community.”

Rebecca Padilla-Pipkin received her BFA from the University of Oklahoma, and her MFA from Arizona State University. Her work has been exhibited throughout the United States, and has been generously supported through various grants such as the Phoenix Artist To Work program.

A person standing in the desert holding up a large piece of earth-toned fabric made of natural dyes which obstructs them from the view of the camera

Rebecca Padilla-Pipkin, Mapping and looking though place, Silk, cotton, wool, natural dyes from Sonoran Desert plants categorized as invasive, 9ft x 8ft, 2023

Rebecca Padilla-Pipkin, Erosion Paths from human-made basin (July and November), Recycled Paper Pulp, Steel, Organic Materials, 12ft x 4ft x 4ft, 2022

 
A sculpture constructed of dyed recycled paper pulp and steel for form the shape of a hap of rocks stacked together in the shape of a cone leaning against a white wall

Rebecca Padilla-Pipkin, How Many Make A Heap (rocks and baskets), Dyed recycled paper pulp and steel, 18ft x 7ft, 2023

 
white  and blue backgrounds with black text overlaid that reads "National Endowment for the Arts, Arts.gov AND NM New Mexico Public Support for the Arts

Emerging Artist Program: This project is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts.

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Selfhood: Juried Exhibition
Jan
2
to Jan 19

Selfhood: Juried Exhibition

Selfhood
Juried Exhibition
January 2 - January 19
Reception: January 5, 5-7pm

Strata Gallery presents Selfhood, a juried exhibition by Rosemary Meza-DesPlas. This juried exhibition will be on view from January 2 through January 19, with a special reception on January 5th from 5-7pm.

Rosemary Meza-DesPlas selected 30 artists from locations across the United States including Colorado, Kansas, Florida, Iowa, New Mexico, New York, Oregon, Pennsylvania, and Washington for this exhibition. Selected artworks are centered upon the concept of selfhood; the works consider how selfhood is constructed, altered, and reimagined. Artists investigate the multiplicitous nature of selfhood: gender, sexual orientation, race, class, age, ethnicity, and so forth. Selfhood, as a dichotomy, can reflect cultural norms and be a source of resistance to them. Navigating selfhood during disruptive times can lead to crossroads of crisis; therefore, some featured artists present visualizations of selfhood that explore the process of self-discovery, self-definition, and self-direction.

Two artists, Renee Couture and Suzanne Faris, explore the impact of gender upon selfhood. Renee Couture contemplates the nuances and complications of motherhood via photography and hand-painted ink. In her artwork titled The Ordinary Work of Women, Faris considers the endless nature of the women’s movement wherein the fight for equality is never finished. 

From a stance of self-discovery and self-definition, artists examine the role of race and ethnicity within selfhood. What does it mean to be American? How does one traverse life as an immigrant, first-generation American or second-generation American? Two artists investigate these questions through traditional art historical genres: portraiture and still life. Yashoda Latkar suggests otherness in her digital image Everything at once by referencing food and religion. Introspective, arranged objects allude to familial roots in Jennifer Seo’s three-dimensional artworks.

Realist painters, Jason John and Marshall Sharpe, anchor selfhood within a space: exterior and interior. Literally, the characters in their paintings are placed in environments; however, the seated male figures divulge internal narratives of identity.

The artists featured in Selfhood approach the topic from innovative perspectives and create with an assortment of materials. Some artworks approach the concept of selfhood in a symbolic manner. For example, Laura Nugent’s paintings, Changing Bodies No. 36: Subtext and Changing Bodies No. 47: Subtext, hint at the passage of time and the development of psyche through the years. Perhaps selfhood is not a case of resolution but a daily existence of progression. Nika Feldman’s artwork Catch of the Day employs a variety of materials: recycled t-shirt, vintage buttons, thread, and 300 needles. This fiber artwork dangles like femininity turned upside down. The built-up encrusted materials read as the evidentiary fingerprints of selfhood.

In this juried exhibition, Selfhood, visual artists address the fluidity and facets of identity within an intersectional discourse. 

Prize Winners:

Best in Show: $200 Suzanne Faris, The Ordinary Work of Women

Honorable Mention: $100 Jennifer Seo, Honbab 

Honorable Mention: $100 Rica Maestas, Father's Day performance with yucca flowers

Exhibiting Artists:
Ajean Ryan, Allyson McDuffie, Anastasia King, Brenda Stumpf, Caitlin Carcerano, Claire Christine Sargenti, Craig Cully, Daniel Brothers, Isabel Winson-Sagan, Jason John, Jennifer Seo, Katie Sieker, Katrina Shafor, Laura Nugent, Lois Harbaugh, Maggie Day, Marianne Hall, Marshall Sharpe, Nandi Egber, Nathan Garcia, Nika Feldman, Oli Boyer, Paulina Arango Mora, R. Melinda Hoffman, Renee Couture, Rica Maestas, Sang Lee, Shirin Melatgohar, Suzanne Faris, Yashoda Latkar.

About the Juror
Rosemary Meza-DesPlas is a 2022 Latinx Artist Fellowship recipient. A multidisciplinary artist, her studio practice incorporates fiber art, drawing, installation, painting, performance art, and video. Meza-DesPlas’ visual artwork is thematically linked to her academic writing and poetry. She presents at academic conferences including College Art Association, International Conference of the Image, and Feminist Art Conference. Her artwork has been exhibited throughout the United States and internationally. 

Selected Images:

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Margi Weir
Nov
28
to Dec 15

Margi Weir

abstract painting using black, blue, white, red, and tan colors with text overlaid that reads "Margi Weir"

Pandemic Paintings and Political Protest
Margi Weir
November 28 - December 15
Reception: December 1, 5-7pm

Strata Gallery presents its last Established Member solo exhibition of the year, Pandemic Paintings and Political Protest by New Mexico based artist, Margi Weir. The exhibition opens November 28th, with a special reception on December 1st from 5-7pm. The exhibition runs through December 15th. 

Margi Weir’s paintings, drawings and installation work are centered around her response to the world around her, whether that world is the digital world, as during the pandemic, or the physical world. Weir relies on the juxtaposition of imagery to create meaning with the hope that the viewer will take away a continued questioning of the current events and situations that have been affecting all of us. 

Margi Weir stated, “After the years of isolation during the Pandemic, when the interaction with friends, family, and students was mediated by a screen of some sort or other, it is wonderful to be having a solo show, in person, at Strata Gallery. I look forward to sharing the work I did during that period of isolation and to demonstrating how that work relates to my more political work of the past.” 

Margi Weir, a recently retired Associate Professor of Painting and Drawing at Wayne State University in Detroit, MI, earned her MFA in painting from the University of California at Los Angeles (UCLA); her MA in painting from New Mexico State University; her BFA in painting from San Francisco Art Institute; and her BA in art history from Wheaton College, Massachusetts. This is Weir’s first solo show in Santa Fe. 

painting mimics the screen of a cellphone when taking a photograph; man with a mask sits on a rock with two women beside him; set in gall green grass with blue and pink flowers; emojis

Margi Weir, Sleeping Titania and Henri’s Dream with Stickers: A Pandemic Painting Lesson, 56” x 52”, Oil and Acrylic on Plexiglas Panel, 2022

painting that mimics a cellphone screen while taking a photograph; nude woman laying down on blue and white striped blanket with Venus and Sypher on either end of her

Margi Weir, Sandro’s Instagram Venus with Stickers: A Pandemic Painting Lesson, 48” x 40, Oil and Acrylic on Plexiglas Panel, 2023

painting mimics the screen of a cellphone when taking a photo; nude woman sitting with her hair up in a bun and her back toward the viewer

Margi Weir, Three Musicians and Ingres’ Violin: A Pandemic Painting Lesson, 40” x 30” Oil and Acrylic on Plexiglas Panel, 2022

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Mehrdad Mirzaie
Nov
7
to Nov 17

Mehrdad Mirzaie

blue and white cyanotypes of the faces of Iranian folks; The name Mehrdad Mirzaie in white letters is overlaid the cyanotype.

Imago
Mehrdad Mirzaie
November 7 - November 17
Reception: November 17, 5-7pm

Strata Gallery presents its first Emerging Member solo exhibition,"Imago," by Phoenix-based artist Mehrdad Mirzaie. The exhibition opens on November 7th, with a special closing reception on November 17th from 5-7 pm.

Mehrdad Mirzaie's artistic journey is deeply intertwined with the convergence of culture, history, and politics. It is fueled by his curiosity about the past and a fervent desire to understand how historical images influence our perceptions of history. Archives, in particular, occupy a central position in his artistic vision, serving as a gateway to explore the intricate layers of human experiences and the passage of time.

Mehrdad Mirzaie states, “My body of work is characterized by a steadfast dedication to working with a diverse array of images of the past, whether through the curation of new archives or the reinterpretation of existing ones. I firmly believe in the transformative power of historical imagery to inform our present and shape our future. By scrutinizing historical images and the mental images they evoke, my goal is to think about conventional interpretations of the past and investigate how various contexts and audiences, each with their unique backgrounds, can influence our understanding of historical truths. I deeply believe that we cannot claim to fully understand and narrate the truth of what happened in the past. Instead, we can only remember the past through honest narration (with the awareness that it is a personal experience).”

Mehrdad Mirzaie is an Image-Based artist originating from Iran, currently pursuing a Master of Fine Arts (MFA) degree with a specialization in photography at Arizona State University. He received his BFA in Photography from Art University in Tehran. This is his first solo show in New Mexico.

blurry cyanotype image of a woman's face

Mehrdad Mirzaie, Untitled, From the "The Body" Series, Archival inkjet Print, 8" x 11", 2023

square-shaped cyanotypes on paper with images of Iranian people gathered; cyanotypes are haphazardly displayed in the corner of a white wall

Mehrdad Mirzaie, Untitled (Execution 01), From the "After" Series, Archival inkjet Print, 42" x 62", 2023

square-shaped cyanotypes organized to create one large image of Iranian teens lined up in a sports event

Mehrdad Mirzaie, Forouzan Abdi, From the "After" Series, Archival inkjet Print, 42" x 62", 2023

 

This project is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts.

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Live Painting by Beverly Todd
Oct
26

Live Painting by Beverly Todd

Live Painting by Beverly Todd

October 26, 2023

1-4pm

Open to the public!

Beverly Todd will be live painting at Strata Gallery! Explore the captivating world of abstract expressionism with Beverly Todd as she unveils her artistic process and the inspiration behind her art.

Check out Beverly Todd’s Exhibition On View from October 17 - November 3, 2023!

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Beverly Todd
Oct
17
to Nov 3

Beverly Todd

a banner that says Beverly Todd in white letters against an abstract painting with wild blue, red, yellow, brown, purple, and black brushstrokes

Allowing Goodness Its Own Speech
Beverly Todd
October 17 - November 3
Reception: October 20, 5-7pm

Strata Gallery presents Established Artist solo exhibition Allowing Goodness Its Own Speech by New Mexico artist Beverly Todd. The exhibition opens October 17 with a reception Friday, October 20, 5-7 PM. 

“This collection relays a personal conversation about the value of moral beauty – a dimension of awe. The work is poetic and descriptive, reflective of the power of witnessing others’ courage, kindness, strength, and overcoming. Everyday encounters with moral beauty can, in turn, move us to goodness,” says Todd.

“My goal is to start an internal dialogue within one person, or an external dialogue within a greater community. Providing enough visual inspiration to point in a direction, then to let the viewer veer off course for their own discovery of every human’s goodness.”

Beverly’s large-scale abstract expressionist paintings playfully dance with color and movement. Her painting process is physical, using hardware-store brushes, broken sticks, rags, and hands to drip, scrape, wipe and pull paint across surfaces. 

Beverly began painting in Santa Fe in 2018. To give others that experience, she opened Santa Fe Artist Getaway in 2019 moving her art practice and arts-based teaching from Omaha, NE, to Santa Fe, NM. 

She is currently serving as an Established Artist with Strata Gallery. Her art is in collections including the University of Nebraska, Albrecht-Kemper Museum, and Wilson Performing Arts Center. She has shown with Jen Tough Gallery, Art Santa Fe, Strata Gallery, Gallery 1516, Visionary Arts Collective, Bemis Center for Contemporary Arts, Albrecht-Kemper Museum of Art, Kansas City Artist Coalition, Norfolk Arts Center, and the Nebraska Governor’s Residence.

abstract painting with wild white, blue, black, red and yellow brushstrokes

Beverly Todd, Sky in the Rearview Mirror, 48” x 48”, acrylic on canvas, 2023

painting with small wild brushstroke in various colors like purple, blue, green, yellow, tan, army green, pink, lavender, burnt orange

Beverly Todd, Generously & Gracefully, 48” x 48”, acrylic on canvas, 2023

Beverly Todd, Spaces Between What Happens, 48” x 48”, acrylic on canvas, 2023

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Small Works: Juried Exhibition
Sep
26
to Oct 13

Small Works: Juried Exhibition

Small Works
Juried Exhibition
September 26 - October 13
Reception: September 29, 5-7pm

Strata Gallery is happy to present our upcoming juried exhibition, “Small Works,” which will be on view from September 26 through October 13, 2023, with a special reception on September 29th from 5-7pm. Strata Gallery co-founders, Jennifer Van, Stephanie Jacinto, and David Olivant have selected the works of 48 artists from eight states, Berlin and Fakenham. A total of sixty-four artworks in various media were selected for inclusion - photography, painting, fiber, ceramic, collage, intaglio, drawing, lithography, wood, caster paper, recycled cans and stainless steel. 

Small works are often underappreciated in a contemporary climate where artists feel they must make an increasingly bigger splash, where intimacy, delicacy and precision get the short curatorial straw. The quality of works in this exhibit belies that trend and makes a case for close inspection, private worlds and the thrill of discovering a gem. 

Minimalism fares well in this environment and the intricate works of Eleanor Wood bear this out - exquisitely nuanced surfaces, finely calibrated proportions, and an unerring sense of composure. At the other end of the spectrum Deirdre Brown evokes cosmic rays through evocative microscopic textural shifts – a universe contained in a square foot of canvas!  This is a scale that lends itself to the intricacy of woven materials and Al Canner employs knotted cords of cotton, hemp, rayon and glass beads to generate a lively hexapod. 

On a different spectrum, Jack Crouch’s collage “After the Faculty Meeting” puns on the smallness of the painting with the depiction of a tantrum-possessed toddler who symbolizes just how heated intellectuals can get, over the triviality of administrative disagreements! Daniel Esquivia-Zapata revels in the delicacy that graphite is capable of with a beautifully nuanced portrait of Cecilia. Susanne Kessler from Berlin reminds us that small can also be monumental with her “Book Moth” weighing in at 15 x 15 inches. With a parallel ambition the small archival inkjet prints of Mehrdad Mirzaie open a window to deep, occluded histories and the suffering of a nation. To end on a happier note, Katie Sandridge gives us a two by four-inch ceramic stoneware reminding us of the preciousness of our arid environment.

This has been to follow very few of the myriad possible threads that weave their stylistic and thematic journey through these minuscule moments of integrity, resilience, mischief making and modesty. We feel sure that viewers will uncover their own surprises and perhaps lose themselves in miniature but monumental, microcosmic magic.

Small Works aims to celebrate the power of small artworks that invites viewers to explore the intricacies of minute details.

Exhibiting Artists:
Al Canner, Anna Bush Crews, Anthony Pessler, Chris Wubbena, Claire Moore, Daniel Esquivia Zapata, David Larson, David Linn, Deirdre Brown, Dominick Porras, Donna Fleetwood, Drew Gaines, Eleanor Wood, Falon Mihalic, Francesca Yorke, Gordon Senior, Hannah Freeman, Hannah Ramage, Heidi Cost, Jacey Coca, Jack Crouch, Jacqueline Mallegni, John Decker, Juan Granados, Judy Stevens, Katie Sandridge, Kenneth FitzGerald, Linda Barlow, Lita Kenyon, Lori Colt, Marie Birkedal, Marisa Brown, Megan Morgan, Mehrdad Mirzaie, Mikki Ulaszewski, Myra Colbert, Nandi Makala, Robert Hoerlein, Robin Hesse, Sihan Zhu, Simon Levy, Simone Schiffmacher, Snow Pond Ceramics, Susan Lefkowich, Susanne Kessler, Theodora Varnay Jones, Vanessa Gonzalez, Yeon Choi

Prizes:

  • $100 - President’s Choice (1)
    Robert Hoerlein, the body gives itself for nothing #9, oil and acrylic on stretched canvas, panel, bones, 14 x 16 x 4.5 in, 2023

  • $100 - Director’s Choice (1) 
     Jacqueline Mallegni, Blue & White, handmade paper, indigo, silk thread, rattan, 8 x 9 x 9 in, 2023

  • $100 - Assistant Director's Choice (1)
    Jacey Coca, Splitting Cells (Untitled No. 2), beads and thread, 4 x 5 x 0.25 in, 2023

     

wooden circular frame resembling a cortex with a red image transfer depicting a family portrait

Juan Granados, Tomorrow (Mañana), wood-fired stoneware and photo image transfer, 11 x 11 x 2 in, 2023

Judy Stevens, Impending Storm, paper collage, 10.5 x 7 in, 2019

black and white image of a man with a black brim hat and black and white beads covering his face; a three story building in the background

Dominick Porras, Slipstream - The Visitor in Tolowa, 35mm silver gelatin photo, 4 x 5 in, 2023

colored beads organized to form a portrait of a young child and a woman in red crouching beside them

Jacey Coca, Splitting Cells (Untitled No. 2), beads and thread, 4 x 5 x 0.25 in, 2023

cream colored aluminum can with an image transfer of Mary and Christ

Mikki Ulaszewski, Mother Mary, photography adhered to recycled can, 4.25 x 4.25 x 2.25 in

circular abstract painting with black, brown, yellow, red, and pink randomly arranged splotting

Hannah Freeman, Moment 5, oil on Maple, 8 x 8 in, 2018

Linda Barlow, Black Cosmos, fiber, knotted thread, 3 x 6 x 3 in, 2022

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Peter Chapin
Sep
5
to Sep 22

Peter Chapin

Watch this studio tour by Peter Chapin! Video created by Samantha Chapin.

Peter Chapin
Unexpected Findings
September 5 – September 22
Reception: September 8, 5-7 pm

Strata Gallery is pleased to present new works on paper and acrylic paintings by Santa Fe artist, Peter Chapin, in our new downtown location on Lincoln Avenue. The exhibition will run from September 5 through September 22, with a reception on September 8th from 5:00-7:00pm.

Chapin states, “Visual art is a way of finding meaning, ‘finding our way in this world of variety’ as Paul Klee put it. We think with our senses, come to our senses, and more specifically we think with the tools and materials at hand. Drypoint printmaking and other materials on paper, and acrylic on panels, lead to unexpected findings.”

Having lived and worked in Santa Fe for 36 years, Peter is delighted to be part of a gallery that values education, relationships with the other arts, and the “examined life”. He is particularly pleased to share his explorations with his hometown community.

Peter graduated with high honors in Art History from Yale, earned an MFA from Columbia University, studying with John Heliker and Philip Guston among others, and went on to teach at Drew University where he chaired the Art Department and Directed the New York Art Semester. He then joined 4 other artists to found the Printmaking Center of New Jersey. He and his wife, Honey, moved to Santa Fe to direct Skylight Conversations, weeklong sessions for museum groups based on talking with area artists in their studios. Peter has involved himself fully in this place as President of Santa Fe Habitat for Humanity, Chair of the Board of Cornerstones Community Partnerships and of Santa Fe New Music. Far from distracting Peter from his artwork, he is grateful for these involvements which have enriched his life and work.

Strata Gallery is located at 125 Lincoln Avenue, Suite 105, in Downtown Santa Fe, and is open from 11:00am to 5:00pm from Tuesday through Saturday.

abstract drawing of two brown angular and vertical shapes entangled in green and brown lines with a capital T shape between them, all against an aqua blue background

Peter Chapin, T for 2, drypoint, oil pastel and gouache on Rives BFK, 16 x 18 in.

Abstract drawing of three green circles on top left, two flanking angular shapes underneath them, and a yellow square between those shapes, all on a dark blue background

Peter Chapin, COUNTERESPIONAGE, drypoint, oil pastel and gouache on Rives BFK, 18 x 16 in. (platemark)

dark gray back ground, light gray organic and geometric vertically stacked, flanked by colorful squares on each end

Peter Chapin, PUPPET, acrylic on wood panel, 36 x 40 in.

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Strata Gallery Welcomes New Emerging Artist Cohort
Sep
1
to Sep 30

Strata Gallery Welcomes New Emerging Artist Cohort

STRATA GALLERY WELCOMES NEW EMERGING ARTIST COHORT

Strata Gallery is thrilled to unveil the talented artists selected for its "Emerging Artist Program." This esteemed initiative aims to nurture and elevate emerging talents within the art world, providing them with mentorship, exposure, and a platform to engage with the artistic community. After a rigorous selection process, five exceptional artists have been chosen for the 2023-2024 cohort.

Selected through a careful review process, the new artists of the "Emerging Artist Program" are Mehrdad Mirzaie, Keanu Jones, Rebecca Padilla-Pipkin, Emma Ressel, and Jandey Shackelford.

A dark room with long vertical banners hanging from the cieling with black and white Iranian protest photos projected onto them

Mehrdad Mirzaie, For the People, Collaboration Project with Rembrandt Quiballo, Photo-Video Installation, Phoenix, 2023

Mehrdad Mirzaie, an Iranian-born multidisciplinary artist, delves into the meaning of art, not only as a form of expression, but also as a way of bridging the gaps between different cultures and historical moments. Keanu Jones, a Diné/Navajo artist, draws inspiration from his upbringing on the Navajo Nation, reflecting his cultural identity in his videos and photography.

photocollage of a black and white photo of cacti with Native women balancing a pot on their heads. An additional color photograph of a woman embracing a baby is layed over the black and white photo.

Keanu Jones, Matrilineal Wisdom, Digital Art, 20” x 11” x 24”

photograph of an room with white walls with long brown banners with organic shaped holes in them coming down to the floor. Additionally, three abstract paintings on the fart left wall, a fiber snake-like sculpture on the right far wall

Rebecca Padilla-Pipkin, reciprocal capture, Silk, Wood, Natural Dye from Sonoran Desert Plants, 18' x 4'

Rebecca Padilla-Pipkin, a Puerto Rican interdisciplinary visual artist based in Phoenix, explores the interaction between the human and more-than-human through her work grounded in ecological relationships. Emma Ressel, a photographer, skillfully captures beauty and decay through her large-format images that challenge perceptions of preservation and consumption. Jandey Shackelford, an interdisciplinary artist, blends craft and construction materials to navigate the gender binary and traditional gender roles in a chaotic world. 

photocollage of leaves, a bird, a flying insect with a needle through it, a hand reaching out for dragon fly while a lizard hunts for it, and mole rats

Emma Ressel, Approximate Encounters, Archival Pigment Prints, Insect Pins, 34” x 25” x 1”

detail image of a gray pieces of asphalt saturated paper sewn together with red fiber

Jandey Shackelford, Imprint 2 (detail), Asphalt-Saturated paper, Footprints, Hand-Sewn Fibers, 51” x 48.5”

"The selection process for our Emerging Artist Program cohort was both exciting and challenging, given the abundance of talent," notes Jennifer Van, Gallery Director at Strata Gallery. "We are excited to offer these artists the mentorship and exposure they deserve as they embark on their professional artistic journey."

The Emerging Artist Program will feature solo exhibitions for each emerging artist, creative workshops, and inclusion in the gallery's annual group member show. By fostering a supportive community and providing opportunities for growth, the program aims to propel emerging artists toward successful artistic careers.

Strata Gallery's commitment to promoting emerging talents is evident in its pioneering initiative. The gallery looks forward to welcoming art enthusiasts and the community at large to experience the unique perspectives of these emerging artists.

A logo reading National Endowment for the Arts, arts.gov, and another logo reading NMA New Mexico Arts public support for the arts

"This project is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts."

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Archaeology of Forgotten Narratives
Aug
12

Archaeology of Forgotten Narratives

Archaeology of Forgotten Narratives

Poems on the Art of David Olivant by Donald Levering

Saturday, August 12, 2023
3:00pm - 4:00pm
Free

Award winning poet Donald Levering will present poems inspired by the works of David Olivant (on display at the Strata Gallery August 4 through September 1). Levering will discuss the process of writing poetry from art in general and for these specific works. Olivant will be present to offer perspectives on the interchange between his art and Levering’s poems. The poet and artist will respond to audience questions.
Ekphrastic poetry, that is, poetry on works of art, goes back at least as far as Homer’s fanciful description of Achilles’ Shield in The Iliad. Among the more famous ekphrastic poems are Keats “Ode on a Grecian Urn” and Auden’s poem on Vermeer’s “Fall of Icarus.” More recent ekphrastics are Kevin Young’s take on Basquait’s “Cadillac Moon” and Mary Jo Bang’s poem on Bruce Pearson’s abstract painting, “Rock and Roll is Dead The Novel is Dead, God is Dead, Painting is Dead.”

Levering has written numerous ekphrastic poems and has taught workshops on the subject both online and in person. Of David Olivant’s paintings, he says, “I find them immediately stimulating to writing poetry. Their complex of images act on multiple levels at once—psychological, sociological, personal. Gazing at them, I feel compelled to make parallel narratives in verse.”

The notions of levels and parallels in David Olivant’s work is echoed in the critic Mark Van Proyen’s comment that Olivant’s paintings “invite their viewers to adopt the mindset of the archeologist who sifts through diverse iconographic clues to recover a forgotten and possibly suppressed narrative.”

Donald Levering is a former NEA Fellow and author of 16 books of poetry. His most recent, Breaking Down Familiar, placed 2nd in the 2023 National Federation of Press Women competition in creative verse. Reviewing this book, Vincent Czyz wrote, “He finds in the most mundane object or ordinary situation, the place where the universe opens up and gives us a peek.” Levering is also the winner of the Tor House Robinson Jeffers award, the Carve Poetry Prize, and the Literal Latté contest. Garrison Keillor has featured his work in his “Writer’s Almanac” podcast. Levering’s poems have appeared in Beloit Poetry Journal, Bloomsbury Review, Commonweal, Hiram Review, Hollins Critic, Hunger Mountain, Notre Dame Review, Poet & Critic, Poet Lore, Southern Poetry Review, and Valparaiso. He lives in Santa Fe with his wife, the painter and poet Jane Shoenfeld.

A native of Great Britain, David Olivant has had solo exhibitions in Art Heritage Gallery, New Delhi and the Center for International Contemporary Art in NYC. Kay Larsson’s favorable review of his work in New York Magazine led to Olivant being represented by Stephen Solovy in Chicago. Olivant has periodically contributed reviews to Art Critical, Art Ltd, and Square Cylinder. His first teaching position was at Southwest Texas State University after which he accepted a post at California State University of Stanislaus in 1995, where he taught for 25 years before retiring in 2020 and moving to Santa Fe, NM, where he serves as President of Strata Gallery. 

New Location: 125 Lincoln Ave, Suite 105, Santa Fe, NM 87501

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Grand Opening!
Aug
4

Grand Opening!

Strata Gallery Embarks on a New Journey:
Relocating to Santa Fe's Historic Plaza District

When: August 4, 2024 from 5-8pm
Where: 125 Lincoln Avenue, Suite 105, Santa Fe, NM 87501

Strata Gallery is pleased to announce “Strata-sphere: A Special Celebration” in conjunction with “David Olivant: Whether or Not Something Bad Has Happened.” The inaugural exhibition will take place in the new Historic Plaza District, Lincoln Avenue location. The celebration will include an artist talk by Founding President, David Olivant.

This event is a double whammy and “something bad” hasn’t happened – Quite the Contrary! Popular two-year-old non-profit - Strata Gallery has outgrown its premises in the Design Center and celebrates its new space in the plaza area with an inaugural reception that doubles as an opening for a solo show by founding president, David Olivant.

Here's the story -

As you might know, Strata Gallery is a 501c3 nonprofit. Our aim is simple - to bring diverse, quality art to Santa Fe with no commercial strings attached, no curatorial agenda, no giving in to trends or popular ideologies of the moment, and no compromise in terms of quality! Helping artists thrive is the foundation of our gallery.

Strata Gallery was founded in August 2021 in the height of Covid-19 by David Olivant, Jennifer Van, and Stephanie Jacinto. How did the three meet? At California State University Stanislaus located in central California. In 2019. David Olivant was a Professor of Painting for 25 years. Jennifer Van was working toward her BFA in Graphic Design and BA in Art History and Stephanie Jacinto was working toward her BA in Art History. It was during this time that the three began to discuss what the next steps are after higher education? How do artists and curators move toward the next steps of their careers? What opportunities are available? All three of them were low-income first generation college students and knew the struggles artists and curators face outside of the academic world. Potentially great artists and curators stopped in their tracks, largely from lack of support at a critical moment in their careers. We only hear about the successes; we will never know the toll to our collective cultural wellbeing due to lack of support. These discussions were the start to Strata Gallery.

The three contributed hundreds of volunteer hours to get Strata off the ground. Strata was named after the layered rock formations of the region, while emphasizing and building a community from different layers of artists careers, artistic practices, and backgrounds. Strata has two different forms of memberships: Established Artist Members who pay monthly dues to fund the gallery and have solo shows, and Emerging Artist Members who free of charge are provided with mentorship and support and have solo shows. Our Established Artist Members typically have strong links to academia, a system that leaves them free to make work as a form of research. The Established Artist Members vote on incoming Emerging Artists and provide mentorship through the program. Strata now has a call posted for the third annual cohort of Emerging Artists. Showing in Santa Fe, one of the largest art centers in the United States makes a significant difference for five Emerging Artists annually. With more enlightened support from grant agencies Strata could help many more. 

In the last two years we have had 18 solo shows, 3 member group shows, 3 juried shows, 10 Emerging Artist Shows, for a total of 34 exhibitions! Our mission is to highlight artists from all around the world and to give Emerging Artists a learning experience. Artists learn how to curate their show and receive mentorship to navigate their artistic careers. The proceeds from our Calls go back into the running of the gallery to help fund the opportunities that we provide. Our Gallery is about feeding the artistic community.

We are beyond grateful to the Santa Fe community who have been nothing but supportive of our cause. We want to take the opportunity to celebrate with you, our supporters, on August 4th! Here is to another two years of artistic achievements, creativity, and community! 

David Olivant is retired and lives in Santa Fe, NM. Jennifer Van is currently in the MFA Photography and Related Media program at California Institute of the Arts. Stephanie Jacinto is currently in the MA Art History program at University of New Mexico.

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David Olivant
Aug
4
to Sep 1

David Olivant

David Olivant
Whether or Not Something Bad Has Happened

August 4 - September 1, 2023
Reception: Friday, August 4, 5-8pm

Strata Gallery presents “David Olivant: Whether or Not Something Bad Has Happened”.  The exhibition opens August 4th with a special reception on August 4th from 5:00pm - 8:00pm. This inaugrual exhibition will take place at Strata Gallery’s NEW location, in the historic plaza district at 125 Lincoln Ave, Suite 105.

Those seeking comfort, reassurance, escape, or the products of any current curatorial agendas are advised to avoid this exhibition of Olivant’s Retroglyphs. As the Bay area critic, Mark Van Proyen suggested in a recent catalog essay on the artist’s works - “They invite their viewers to adopt the mindset of the archeologist who sifts through diverse iconographic clues to recover a forgotten and possibly repressed narrative pertaining to the loss of hope and a fall from grace. Each and all seem like fragmentary scenes salvaged and reconstructed from the remnants of bygone circumstances…presented in compressed layers of pictorial activity that are provisionally sutured together to recreate something resembling a crime scene. We are left unsure as to whether or not something bad has happened, or is about to happen, but either way, a human dilemma is revealed.”

These mixed media paintings appropriated and digitally derived from the artist’s earlier assemblages (Heteroglyphs), insidiously undermine any sense of certainty and for the patient, undaunted viewer, open up a universe in which the human psyche is reduced to an existential parody of itself and all emotional and behavioral norms are up for grabs. Olivant maintains that escapism is a quick, illusory fix. Ultimately any crisis demands an answerable, unflinching, and creative response, retrieved from the depths of human anguish.

Titles include Waiting for the Conversion, Dupuytren’s and the Demise of Patrimony, Prosthetic Aesthetic, No Improvement Until the Cows Come Home, Caught in the Cross Hairs, Hope for the Wrong Trousers, Those Feet, and Reading to a Dying Horse. Van Proyen ends with these words -“They live in a Sartrean hell of programmatic indifference, impassively seeking salvation from a runaway complexity that changes guises while moving in rhetorical circles. Nonetheless, it is their hell, and the fact that it is portrayed as a familiar one makes it seem something like home.”

Strata Gallery is open from 11 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata, the current exhibit, and the future schedule of events, please visit the Strata Gallery website and Instagram.

portrait of a man, woman, and boy made out of random found objects

David Olivant, Albrecht Dürer Gathers No Moss, Retroglyph, 22 x 30 in, 2022

abstract collage made out of mixed media and found objects

David Olivant, Those Feet, Early Retroglyph, 30 x 41 in, 2020

collage of a giant man and mouse over a woman, made of found objects

David Olivant, Eye Witness, Early Retroglyph, 30 x 22 in, 2021

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Member Group Show 2023
Jul
11
to Jul 28

Member Group Show 2023

Third Annual Group Exhibition 
July 11th – July 28th 
Reception: July 14th, 5:00 pm - 8:00 pm

Strata Gallery presents Third Annual Group Exhibition, an exhibition of all current Established Members. The exhibition opens July 11th with a special reception on July 14th from 5-8pm. 

The Third Annual Group Exhibition is the last exhibition in Strata’s current location in the Design Center before its relocation to 125 Lincoln Avenue - the same building as Allen Hauser Gallery and Niman Fine Art. 

Since its founding as a 501c3 non-profit in August 2021 and two-year occupancy of the Design Center space, Strata has gained a name for bringing a different vision and sense of diversity to Santa Fe. It is one of a handful of contemporary galleries who have the courage to display artwork entirely on its merits, regardless of salability. All artists seeking to join are peer reviewed by existing members and the majority of those occupy professorships at college art departments across the country. Also central to Strata’s mission and something entirely unique, is the selection by established members five emerging artists annually who each receive mentorship and a solo show in the gallery.

The eighteen artists on display in this exhibition include:

Adrian Aguirre (TX), Tulu Bayar (PA), Carla Caletti (NM), Carlos Canul (TX), Peter Chapin (NM), Joomi Chung (OH), Millian Giang Pham (AL), Ira Greenberg (TX), Lin Medlin (TX), David Olivant (NM), Shelby Shadwell (WY), Jane Shoenfeld (NM), Anne-Katrin Spiess (NY), Susan Stephenson (CA), Nishiki Sugawara-Beda (TX), Beverly Todd (NM), Margi Weir (MI), and Mirabel Wigon (CA).

The works on display address in innovative and diverse ways a spectrum of the pressing concerns and discoveries that animate and haunt human society at the front end of this new, often daunting, millennium. These include information and sensory overload, desensitization, hybridity and fragmentation, cultural identity, the nature of consciousness, artificial intelligence, myth, ritual and archetypes, answerability, climate and ecosystem degradation, landscape nostalgia and sense of place, tradition, identity, materiality, decay and the manner in which formal and aesthetic principles adapt to meet these imperatives.

woman in white jumpsuit pulling a green canoe through a shallow lake

Anne-Katrin Spiess, Canoe 21, Digital C-print, 24 x 30 in.

Two people wearing nón lá (leaf hats) and carrying heavy loads

Millian Giang Pham, GIVE BURDEN, Mixed media embroidery, 42 x 18 in.

Phone background set to the back of a nude woman sitting while wearing a K9 Mask

Margi Weir, A Pandemic Painting Lesson: Three Dancers and Ingres’ Violin, Acrylic and oil on plexiglass panel, 40 x 30 in.

paper collage made of found objects organized to look like a man wearing red glasses

David Olivant, Duputren’s and the Demise of Patriarchy, Collage, ink, colored pencil and acrylic on digital print on paper, 30 x 22.25 in.

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Shelby Shadwell
Jun
20
to Jul 8

Shelby Shadwell

VISCERAL
June 20 - July 8, 2023
Reception: Friday, June 23, 5-7pm / Artist Talk: 6:00pm

Strata Gallery presents an Established Member’s first solo exhibition, VISCERAL, by Wyoming based artist Shelby Shadwell. The exhibition opens June 20, with a special reception on Friday, June 23, 5:00 – 7:00 pm and an Artist Talk at 6:00 pm.

Shelby Shadwell’s work consists of large-scale charcoal and pastel drawings of non-traditional imagery such as gut piles left over from big game hunts and space blankets used in emergency situations to stay warm. The drawings may illicit feelings of disgust or revulsion and awe or ecstasy simultaneously due to the contrast between the vulgarity or ephemerality of the imagery juxtaposed with its meticulous, hyper-realistic, rendering. Shelby’s work allows viewers space to ask questions about low and high status in artistic subject matter and romantic tropes in contemporary western art.

Shelby is currently an Associate Professor in the Department of Visual Arts at the University of Wyoming. From Springfield, MO, Shelby received his BFA in 2003 from Washington University in St. Louis and his MFA in 2006 from Southern Illinois University Carbondale. His work has been exhibited throughout the nation at venues including the Portland Art Museum, OR, William Havu Gallery in Denver, CO, and Manifest Gallery in Cincinnati, OH. For more information on Shelby and his work, please visit his website at www.shelbyshadwell.com or Instagram @shelbyshadwell.

Visit Shelby Shadwell’s webpage here.

Artist Shelby Shadwell sitting on the floor creating a white and black charcoal drawing

Shelby Shadwell, VISCERAL 4 / charcoal, pastel on polyester / 85" x 85" / 2021

black and white charcoal drawing of an animal carcass disintegrating into overgrown grass

Shelby Shadwell, VISCERAL 4 / charcoal, pastel on polyester / 85" x 85" / 2021

black and white charcoal drawing of a crumpled emergency blanket against a black background

Shelby Shadwell, VISCERAL 4 / charcoal, pastel on polyester / 85" x 85" / 2021

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Discovering the Music of Bach
Jun
10

Discovering the Music of Bach

Discovering the Music of Bach
with conductor and educator Oliver Prezant 
featuring Kathleen McIntosh, harpsichord

Saturday, June 10, from 2:00 - 3:30 p.m.
General admission: $25
Seating is limited, purchase your tickets
HERE.

Join conductor and educator Oliver Prezant and harpsichordist Kathleen McIntosh for an in-depth look at a Prelude and Fugue from Bach’s celebrated Well Tempered Clavier. During the program, Oliver will lead an interactive exploration of the music, as we look at how Bach works his material to create a brilliant, character-filled Prelude. Then we’ll examine the short melody that begins the Fugue and follow its twists and turns as it appears and reappears throughout the piece. Kathy will demonstrate a variety of approaches to creating an expressive, artistic performance on the harpsichord and she’ll provide insights about the virtues and limitations of the instrument. In addition, audience members will be invited to share their feelings and impressions as they develop a relationship with the music and the performer. At the end of the program, we’ll hear a full performance of the music we’ve explored as well as one or two extra musical treats.

Discovering the Music of Bach is a production of Opus OP Arts and Education Projects
This program is sponsored in part by: Bernhard Holzapfel, in memory of Barbara Holzapfel, and Lynn Lee.  

Program and artists subject to change. 

Photo captions and credits:
Left:
Conductor and arts educator Oliver Prezant: Ruthanne Greeley
Right: Kathleen McIntosh, harpsichord: Charles McMillan

Artist Biographies:

Kathleen McIntosh, harpsichord, has been a Santa Fe Chamber Music Festival artist since 1996, and has performed in festivals in the United States, Cuba, Japan, Peru, Spain and Germany. She has appeared as soloist with chamber orchestras in places as diverse as Russia and Vietnam, and has taught in workshops and as a guest artist in Havana (with Conjunto Ars Longa and Semana de Musica Sacra), Lima (Conservatorio de Musica Nacional) and Opole (Poland – Diecezjalny Instytut Muzyki Koscielnych). An enthusiastic performer of contemporary music, she has premiered works by Melinda Wagner, Leo Brouwer, John Steinmetz, Carl Mansker and many others, and premiered works by Lei Liang and Gregory Spear on Chatter's 2021-2022 series. A resident of Santa Fe, McIntosh has appeared with Severall Friends, the Santa Fe Symphony, Santa Fe Pro Musica and Serenata of Santa Fe, and was soloist with New Mexico Philharmonic in 2019. A highlight of 2022 was a performance of Handel arias with acclaimed countertenor, Anthony Roth Costanzo. She can be heard on Maricam Studio and Gasparo recordings.

Oliver Prezant, conductor and arts educator, has presented lectures and education programs for the Santa Fe Opera, Santa Fe Chamber Music Festival, National Hispanic Cultural Center, Performance Santa Fe, the Tanglewood Association of Volunteers, Road Scholar, and the Guilds of the Santa Fe and San Francisco Opera companies. As the music director and conductor of the Santa Fe Community Orchestra, he worked with community musicians and choristers, professional soloists, public school music students, composers, creative artists, and community partners from Santa Fe and northern New Mexico to present a wide variety of innovative performances, unique education programs, and community collaborations. He has presented programs on the relationship of art and music for the Georgia O'Keeffe Museum, the Albuquerque Museum of Art, the New Mexico Museum of Art, and the Anderson Museum of Contemporary Art. Oliver was one of the founding teaching artists in Partners in Education’s ArtWorks Program, which provides arts education workshops for Santa Fe Public Schools students and teachers in the areas of music, poetry, visual art, theater, and dance. As the artistic advisor to the program, he trained teaching artists and classroom teachers, and coordinated with area poets, museums, and other arts organizations. He studied at the Mannes College of Music in New York City and the Pierre Monteux School for conductors in Hancock, Maine, and he was an Assistant Professor in the Contemporary Music Program at the College of Santa Fe and an instructor at Santa Fe University of Art and Design.

Media Contact: Oliver Prezant
Phone: 505-660-8834
email: oliver@oliverprezant.com

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Discovering the Music of Photography
Jun
3

Discovering the Music of Photography

Discovering the Music of Photography
with Oliver Prezant and Friends
featuring the artwork of Grant Johnson

Saturday, June 3, from 2:00 – 3:30 p.m.
General admission: $25
Seating is limited, purchase your tickets
HERE. 

An interactive, musical exploration of large-scale photographs by Grant Johnson, featuring Oliver Prezant and improvising musicians Carla Kountoupes, violin; Jerry Weimer, clarinet; and Katie Harlow, cello.

You’ve seen landscape painters step back from their work to get the “big picture” before returning to the canvas to work on the details. Well, photographer Grant Johnson’s work is based on ultra-high resolution images of remote, undisturbed land taken from seven or eight miles up! From so far away, mountains, riverbeds, forests, and sand dunes have the appearance of richly textured, remarkably colorful organic shapes. During the program, conductor and arts educator Oliver Prezant will lead an interactive exploration of these extraordinary images, and your thoughts and impressions will be the basis for musical realizations of the artwork by Oliver and violinist Carla Kountoupes, clarinetist Jerry Weimer, and cellist Katie Harlow. In the words of the artist: “My fascination with these images is their abstract beauty as compositions and their resemblance to abstract expressionist painting.” The artist will be present during the program.

This event is a production of Opus OP Arts and Education Projects.
Thanks to Opus OP Arts and Education Project event sponsors: Don and Andrea Fineberg, and Sallie Bingham.

Program and artists subject to change.

Grant Johnson, from the Undisclosed Locations series. Dye Sub-Print on aluminum panel.

Photo captions and credits from left to right:
Conductor and arts educator Oliver Prezant: Ruthanne Greeley
Violinist Carla Kountoupes: Will Wilson (Diné)
Clarinetist Jerry Weimer: Nacha Mendez
Cellist Katie Harlow: Joseph Sabella

Artist Biographies:

Grant Johnson, photographer, grew up on a farm in Arkansas where his family raised cattle and grew alfalfa. He spent a large amount of time in the outdoors which over the years morphed into an interest in environmental issues.   He received a BFA from the University of Arizona where he painted and learned rudimentary photography.  He became interested in electronic imagery when the first remotely sensed planetary landscape photography began to appear in the late ‘60s. Fascinated by NASA's Landsat photography, which began to appear in 1972, he was inspired to learn more about electronic imaging. He applied to the Rhode Island School of Design's nascent video department and received the first graduate degree in experimental video awarded by RISD in 1975. He worked with analog computer systems for video and audio synthesis and eventually their digital counterparts. Landsat imagery became available in 2008 when the entire archive entered the public domain, and it became possible to identify a location, collect the satellite images, and compose the columns and rows of images into a large, coherent, very high-resolution landscape. He was an assignment photographer for The Nature Conservancy for twenty years, covering California and Hawaii. His work attempts to call attention to environmental questions and answers that would help preserve the world in a state in which we can continue to thrive.

Oliver Prezant, conductor and arts educator, has presented lectures and education programs for the Santa Fe Opera, Santa Fe Chamber Music Festival, National Hispanic Cultural Center, Performance Santa Fe, the Tanglewood Association of Volunteers, Road Scholar, and the Guilds of the Santa Fe and San Francisco Opera companies. As the music director and conductor of the Santa Fe Community Orchestra, he worked with community musicians and choristers, professional soloists, public school music students, composers, creative artists, and community partners from Santa Fe and northern New Mexico to present a wide variety of innovative performances, unique education programs, and community collaborations. He has presented programs on the relationship of art and music for the Georgia O'Keeffe Museum, the Albuquerque Museum of Art, the New Mexico Museum of Art, and the Anderson Museum of Contemporary Art. Oliver was one of the founding teaching artists in Partners in Education’s ArtWorks Program, which provides arts education workshops for Santa Fe Public Schools students and teachers in the areas of music, poetry, visual art, theater, and dance. As the artistic advisor to the program, he trained teaching artists and classroom teachers, and coordinated with area poets, museums, and other arts organizations. He studied at the Mannes College of Music in New York City and the Pierre Monteux School for conductors in Hancock, Maine, and he was an Assistant Professor in the Contemporary Music Program at the College of Santa Fe and an instructor at Santa Fe University of Art and Design.

Carla Kountoupes, violinist, is a member of the Santa Fe Symphony Orchestra, Arizona Opera Orchestra, Santa Fe Pro Musica Chamber Orchestra, and Piazzolla da Camera Piano Trio. Carla has toured and performed professionally with orchestras and chamber ensembles in Central America, Taiwan, Germany, and all over the United States, including as a member of the New Century Chamber Orchestra in San Francisco and the Costa Rican National Symphony Orchestra. She enjoys performing and recording many genres in addition to classical, including Latin/world, alt-rock/pop, and jazz. A dedicated music educator, Carla is on the faculty at the New Mexico School for the Arts. She is a graduate of Oberlin Conservatory (Violin Performance) and Oberlin College (English Literature). Carla’s violin was made in the 1740s and was inherited from her grandfather.

Jerry Weimer is a composer and clarinetist who has been a part of the Santa Fe music scene since 2001. Known for his unique sound, stylistic versatility, and compelling improvisations, Jerry is a regular presence in the Jazz and Latin music communities of Northern New Mexico, and was a featured soloist with the Santa Fe Community Orchestra in Weber’s Clarinet Concerto No. 1. He has collaborated with many local artists, including Nacha Mendez, Joaquin Gallegos, Jono Manson, Nosotros, Rumelia, John Rangel, the Shiners Club Jazz Band, Revózo, and Victor Alvarez’s SAVOR. Recent performances include Le Carnaval des Animaux with the National Dance Institute, and Amane, with Joe Hay, Words in the Wind, with Melanie Monsour, and Zozobra in 2021. Jerry is a graduate of the College of Santa Fe where he studied with Eddie Daniels. 

Katie Harlow, cellist, has performed on cello, mandolin, accordion, and viola da gamba in numerous symphonic, chamber, early, folk, and improvised music ensembles, including the Santa Fe Symphony, the Chamber Orchestra of Albuquerque, New Music New Mexico, the New Mexico Women Composer's Guild, Opera Southwest, the early music groups Three Bass Blondes and the Boxwood Consort, the improvising music ensembles Out of Context and Playroom, the Bill Horvitz Band (jazz and new music), Cicadas, a mandolin ensemble, the folk music groups Bailiwick and Caledonia, and the band Basement Dancing. In addition, she has created arrangements and compositions for concerts, recordings, and theater productions. Katie holds a Bachelors in Cello Pedagogy and a Masters in Music Education from the University of New Mexico, and was on the faculty of Albuquerque Academy for many years.

Media Contact: Oliver Prezant
Phone: 505-660-8834
email: oliver@oliverprezant.com

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Grant Johnson
May
30
to Jun 17

Grant Johnson

Undisclosed Locations
May 30 - June 17, 2023
Reception: Friday, June 2nd, 5-7pm. 

Strata Gallery presents Undisclosed Locations, by California based artist Grant Johnson. The exhibition opens May 30th, with a special reception on June 2nd from 5-7pm.

Undisclosed Locations is a show of photographs of very unique environments. Because of the fragile nature of these Locations and the wide reach of the internet and social media, the artist has chosen not to disclose their locations. These undisclosed locations all lie in the Western United States. Many are extreme examples of the erosive forces of wind and water, unusual combinations of minerals and layering that result in spectacular color variations or unique circumstances resulting from volcanism. Three of the locations are near, or in, hydrocarbon and mineral exploration and extraction sites. One is a training facility for Mars exploration and habitation. Some images were made during ground truthing expeditions after discovering the locations from the air. A few are satellite mosaics of hundreds of satellite paths and rows composited to produce a single high-resolution landscape image.

Grant Johnson graduated from the University of Arizona in 1972 and from the Rhode Island School of Design in 1975. He has been photographing the western United States since that time. Johnson worked for The Nature Conservancy for twenty years covering California and Hawaii. During that time, he has witnessed the advent of social media and the destructive effect of increased sightseeing that has resulted from GPS coordinates of nearly everything being posted, providing unfettered access to all even those bent on destruction and vandalism.

Our natural world is now changing rapidly. Fires and extreme weather events are altering familiar terrains, transforming forests, flooding lowlands and accelerating erosion that otherwise would have taken centuries. Johnson feels very grateful to have been privileged to visit and photograph these unique locations.

abstract view of eroding nature with green, blue, yellow hues

Grant Johnson, 2021-11-20_0074, Dye-sub print on aluminum panel, 40 x 60

photograph of boulders and rocky mountains with tall green pine trees throughout and a blue sky above

Grant Johnson, 1989-05-00_1418, Dye-sub print on aluminum panel, 20 x 30 inches

Grant Johnson, 2022-06-10_0270, Dye-sub print on aluminum panel, 40 x 60 inches

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Tristyn Bustamante
May
16
to May 27

Tristyn Bustamante

Postbiological Ponderings
May 16 - May 27, 2023
Reception: Friday, May 19, 5-7pm (Artist talk @ 6 pm)

Strata Gallery presents Postbiological Ponderings; the work of Emerging Member, American artist Tristyn Bustamante. The exhibition opens May 16, with a special reception on May 19th from 5-7pm.

Bustamante’s unusual work is built by traditional hand-building and throwing methods in the medium of clay. While her work is primarily ceramic, many pieces incorporate other fabricated and found objects.

Bustamante’s process of “informed intuitive ideation” involves both research and instinct. Each piece is begun from an individual idea developed through research. Forms are intuitively designed then carefully planned out. Bustamante’s early work exhibited expressive systematic qualities while conveying a sense of ambiguity of function. More recently, her efforts have focused on exploring recent or emerging technologies and human / animal perception while continuing to define forms outwardly indefinite of purpose.   

Bustamante stated, “I’m grateful for the staff and leadership at Strata Gallery, their efforts have great impact on the lives and work of emerging and established artists.” In anticipation of the exhibition, Bustamante states, “The intent of the work in Postbiological Ponderings, was to produce sculptures with both a heedful and playful quality, which are ideologically deep yet approachable. Viewers are invited to look through the futuristic lens from which the pieces are imagined.”

Bustamante’s artwork has been shown in solo and curated group exhibitions across the United States. She has received multiple grants and awards from sponsors such as the Arizona Commission on the Arts. Her work is part of a few private collections including the Lenny and Anne Dowhie ceramic art collection. She has received funding for and participated in residency programs such as The Armory Art Center, New Harmony Clay Project, and Clayarch Gimhae Museum in South Korea. As a community and education advocate, she has pursued teaching and involvement in local communities whenever and wherever she can.

three anamorphic-esque green and white sculpture that resemble a teacup, praying mantis, and snail

Tristyn Bustamante, Multidimensional Webb See’ers 2.0, stoneware, steel, epoxy, 6 x 4 x 7 inches each, 2022

a green, bronze, and white sculpture resembling a lamp and windmill

Tristyn Bustamante, Blow System, Stoneware, porcelain, brass, copper, rubber, 27 x 15 x 13 in, 2016

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Tulu Bayar
Apr
25
to May 13

Tulu Bayar

Chimera
April 25 - May 13, 2023
Reception: Friday, April 28, 5-7pm (Artist talk @ 6 pm)

Strata Gallery presents Chimera; the work of Established Member, Turkish-born American artist Tulu Bayar. The exhibition opens April 25, with a special reception on April 28th from 5-7pm.

Bayar’s work encompasses various techniques and mediums including photography, sculpture, drawing, printmaking, installation and video. Being a recent immigrant, her world exists between her native and adopted homes, a reality shared by many who leave one country to settle in another. In her work, the physical characteristics of subjects are often masked or hidden, ornate with depicted patterns, resulting in an open-ended narrative. She uses historical and contemporary imagery and stories culled from references that include manuscripts, magazines, artifacts, motifs and symbols found in both her old and the new worlds.

Tulu Bayar stated, “It’s great to be involved with Strata Gallery and the Santa Fe Community. Chimera both celebrates and subverts my inherited identity. The work embraces playfulness while positioning fluidity and rootedness as complementary rather than opposing forces in the building of selfhood and culture.”

Bayar’s artwork has been shown in curated solo and group exhibitions across the United States, Turkey, Germany, UK, Denmark, France, China and Colombia. A Fulbright Scholar, she has also received funding from Esmée Fairbairn Foundation, Ténot Foundation, artist-in residency grants from Camac Centre d'Art in France and the Center for Photography at Woodstock funded by the Andy Warhol Foundation as well as William Sackett Fellowship through Virginia Center for Creative Arts.

35 mm film negatives curled and fixed with resin into a round frame

Tulu Bayar, Trapped, Mixed Media (Silver Print, 35 mm film, water soluble resin, paint) 9” diameter with 0.75 depth, 2023

woman standing in the center of the frame holding a camera to her face. she and most of the photo are washed out by a white glow.

Tulu Bayar, Chimera Performance Act #1, Archival Pigment Print, 22” x 29”, 2023
(Edition 1 of 5)

A woman in blur walking from left to right across the picture frame with a book near her feet

Tulu Bayar, Chimera Performance Act #3, Archival Pigment Print, 22” x 29”, 2023
(Edition 1 of 5)

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Ephemerality: Juried Exhibition
Apr
4
to Apr 21

Ephemerality: Juried Exhibition

Ephemerality
April 4 – April 21, 2023
Reception: Friday, April 21, 5-7pm.

Strata Gallery presents the Juried Exhibition, Ephemerality, juried by Jennifer Van. There is a special reception on April 21 from 5-7 pm. Jennifer Van, Director of Strata Gallery, selected the work of 40 artists from Arizona, California, Illinois, Massachusetts, Minnesota, New Mexico, Pennsylvania, South Dakota, Texas, Virginia, Washington, and Canada for inclusion in this exhibition.

This juried exhibition features artwork that speak to the ephemeral—the fleeting moments in life that are attempted to be captured in art. In the 19th century, both Romanticism and Impressionism created a shift to form a new sense of beauty in nature and impressions of the moment. Futurism in the 20th century, also presented the ephemeral in an attempt to embody movement. Expressionism attempted to capture emotions in art. Further Surrealism explored dreams and memories in artwork. In this digital age, ephemerality is present in our day to day lives. Ephemerality speaks to the difficulty of capturing the world around us, as well as a desire to preserve it or to enact change. 

Jessica Clark’s, Lumbee Family Values No. 10, oil painting shows the everyday life of the Lumbee people and preserves this moment in Clark’s painting. Gerald Habarth’s, Voyager Birdman, creates an ephemeral dreamlike state through animation of line drawings and video clips. K.J.Herb’s, Prologue: Home is a Feeling Not a Place of Residence, photograph captures those fleeting moments in life that appear as quickly as they disappear. Fiona Howarth’s, Glacial Retreat, photograph shows the impermanence of the landscape.

Sarah Sanford’s, Pedestal no.1, serigraph explores the interconnectedness and impermanence of the passage of time, while speaking to the fragmentation of ourselves. Noah S. Thompson’s, Grasping for a memory, lumen print creates a dreamlike and intimate moment in addition to the image itself that changes over time due to the material itself. Nicholas Valdés’, me in you in me, photographic college creates a new reality from past memories and moments. These works are just to name a few – there are so many more to explore in this exhibition. This juried exhibition features digital animation, painting, photography, projection, sculpture, serigraph, and mixed media artworks.

  • Best of Show
    Jo Cosme, Estado perpetuo de incertidumbre/ Perpetual State of Grasping in the Dark, Digital Photography, 22 x 26 x 2 in, 2020

  • Assistant Director’s Choice
    Sarah Knight, Mica Book, Melted Stone, Mica, Kanthal Wire, Resin, 6.5 x 5 x 5 in, 2022

  • Honorable Mention
    Mehrdad Mirzaie, The Last Moment, Collage and Inkjet Print, 44 x 44 in, 2022

Exhibiting Artists: Abbey Hepner, Allen Morris, Bernice Ficek-Swenson, Beverly Todd, Brianna Tadeo, Caity Salamanca, Chris Wubbena, Elaine Duncan, Faith Purvey, Fiona Howarth, Gary Duehr, Gerald Habarth, Jacey Coca, Jacqueline Mallegni, Jennifer Tepper, Jessica Clark, Jessica Lanham, Jessie Rebik, Jill Christian, Jo Cosme, John Scott, Jose Santos P. Ardivilla, Joseph Farbrook, Jp Gibson, Julia Paul, KJ Herb, Lauris Phillips, Lucien V. Sebastian, Luke Graham, Mark Reynolds, Matt Gallien, Megan Jacobs, Mehrdad Mirzaie, Michae—l Donnelly, Nicholas Valdés, Noah S. Thompson, Sarah Knight, Sarah Sanford, Savannah Jane Walton, Shaelyn Moody

About the Juror: Jennifer Van is the Director and co-founder of Strata Gallery. She currently works and lives in Los Angeles, California. Her work has been featured in solo exhibitions in California, New Mexico, and New York City.

Two lovers sitting in a car parked in front of a house with blinds open and a red light inside

K.J. Herb, Prologue: Kissing in Cars, Archival Inkjet Print, 20” x 16” x 1”, 2021

a room divider with yellow painted frames and yellow and gray fabric. Photos are printed on the fabric .

Faith Purvey, Stuffed Windows (frame), Photographs printed on Organza, room divider, post-industrial materials, 6 x 5 ft, variable, 2022

two prints of glacial mountains overlapping one another

Fiona Howarth, Glacial Retreat, Platinum Palladium Prints, 20” x 16”, 2022

Contemporary fiber sculpture with a particular focus on minimalism, the ebb and flow of life and spiritual ecology.

Jacqueline Mallegni, Chrysalis, Handmade flax fiber paper, black walnut pigment, rattan, 14 x 9 x 7 in., 2022

a model of a red building teetering on stacks of ripped paper, rolled up white fabric, a piece of wood, and a block of concrete

Chris Wubbena, in the midst of things: act two, Model, plaster, paper, cloth, wood, concrete, QR codes, writing, 16 x 7 x 10 in., 2022

a still from a video with a black background, white diagonal lines traveling from the top left of the frame to the lower right, and blue abstract outline of a horizontal body along a yellow horizon line

Gerald Habarth, Voyager Birdman, Wood, Mini Display Screen, media player, 10 x 10 x 10 in., 2022

handcut photographs in the shape of a human bust layered on top of an image of a New Mexico wildfire

Megan Jacobs, New Mexico Fires, Hand cut layered Archival Pigment Prints, 20 x 30 in, 2022

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Photographic Lumen Printing Workshop  With Rosalba Breazeale
Mar
25

Photographic Lumen Printing Workshop With Rosalba Breazeale

photographic lumen print of flowers

Photographic Lumen Printing Workshop with Rosalba Breazeale
March 25th, 2023
1:00pm - 3:00 pm

Purchase Tickets Here: $5 (price includes gelatin paper supply fee)

There will be limited seating for this workshop.
All ages are welcome to participate.

The Lumen Printing process dates to 19th century photographic history. A physical camera, as we know it, is not used, hence the technique is also referred to as “camera-less" photography. 

A Lumen requires only silver gelatin paper, light and physical objects to create a unique and colorful print. Also known as a photogram, the process involves placing objects on paper and then exposing the paper to sunlight. The resulting print leaves a “shadow’ outline of what was placed on the paper. Organic matter such as flowers and leaves are often depicted due to their unique chemical properties. However, three-dimensional objects work as well.

Join artist and instructor, Rosalba Breazeale, on March 25 from 1pm-3pm for a two-hour lumen printing workshop at Strata Gallery, 418 Cerrillos Road, Suite 1-C.

Please bring a few objects that have significance to you and can fit on an 8 in. x 10 in. piece of paper. This could be a specific flower, jewelry, or a lucky object. Organic and reflective material (glass, metal) may make particularly interesting photographs!

Wear warm clothes as we may spend some time outside if weather permits! Exposure time will likely take an hour. While we wait, we will share stories about our precious objects. I will also share stories about a few pieces in the exhibition.

Silver Gelatin paper will be provided for a $5 supply fee. (Fee included in price of ticket)

Masks are encouraged.

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